{"id":11866,"date":"2025-03-27T14:14:28","date_gmt":"2025-03-27T13:14:28","guid":{"rendered":"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/?p=11866"},"modified":"2025-08-07T16:28:00","modified_gmt":"2025-08-07T14:28:00","slug":"spanish-photographers-samuel-nacar-and-luis-tato-awarded-at-the-world-press-photo-2025","status":"publish","type":"post","link":"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/en\/spanish-photographers-samuel-nacar-and-luis-tato-awarded-at-the-world-press-photo-2025\/","title":{"rendered":"Spanish Photographers Samuel Nacar and Luis Tato awarded at the World Press Photo 2025"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The <strong>World Press Photo Foundation<\/strong>, commemorating its <strong>70th anniversary this year, announces the regional winners of the World Press Photo 2025<\/strong>, the latest edition of the world&#8217;s most renowned photojournalism contest. This announcement includes <strong>42 winning photographers<\/strong> from the<strong> 6 regions <\/strong>into which the contest divides global participation: Africa, Asia-Pacific and Oceania, Europe, North and Central America, South America, and West, Central, and South Asia. Each region features <strong>3 categories:<\/strong> Single Photographs, Photo Stories, and Long-Term Projects.<br><em><br><\/em>The winning projects of the World Press Photo 2025 contest, representing events and topics from 2024, focus on some of the <strong>most urgent social issues<\/strong> facing the world today, including <strong>politics, gender issues, migration, conflicts, and the climate crisis.<\/strong> From protests in Kenya and El Salvador to the devastating wars in Lebanon and Palestine, the multifaceted impacts of the climate crisis in Peru, Brazil, and the Philippines, and the persecution of the LGBTQI+ community in Nigeria, among many other subjects.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/49K-sA7_-1024x683.jpeg\" alt=\"\" class=\"wp-image-11815\" srcset=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/49K-sA7_-980x653.jpeg 980w, https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/49K-sA7_-480x320.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><figcaption class=\"wp-element-caption\">Retrato de Mohamed Khaled Krayem, superviviente de la c\u00e1rcel de Sednaya. Imagen perteneciente a <em>Las sombras ya tienen nombre<\/em>, premio World Press Photo 2025 al Reportaje Gr\u00e1fico (Asia Occidental, Central y del Sur) <strong>\u00a9<\/strong> Samuel Nacar para Revista 5W.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Among the winners are two Spanish authors, both in the Stories category<\/strong>: photographer <strong>Samuel Nacar<\/strong> (Barcelona) has been awarded within the <strong>West, Central, and South Asia region<\/strong> for \u00abThe Shadows Already Have Names,\u00bb a project about survivors of Syrian prisons who recount the tortures they endured under the regime of former President Bashar al-Assad, published by <em>Revista 5W<\/em>. Also <strong>Luis Tato<\/strong> (Ciudad Real), awarded in the Africa region for \u00abRevuelta juvenil en Kenia\u00bb, photographic project about the protests in Kenya motivated by the country&#8217;s tax increase, and fueled by anger at economic hardship, corruption, police brutality, and distrust of the political class, published by <em>Agence France-Presse<\/em>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Samuel Nacar and the Tortures of Syrian Prisons<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"El concurso World Press Photo 2025 ha reconocido el trabajo de Samuel Nacar\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/o1nApkXFYSA?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.fundacionpsv.org\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The protracted Syrian civil war reached a turning point on December 8, 2024, when rebel forces, after two weeks of military successes, seized the capital, Damascus, with minimal resistance, overthrowing the 24-year regime of President Bashar al-Assad. Rebel forces immediately began liberating inmates from a vast network of detention centers, the core of which was the notorious Sednaya military prison. Survivor accounts revealed the extent of the al-Assad regime&#8217;s systematic detention, torture, and secret execution of its opponents, normalizing a prison system, already brutal in itself, as a weapon of war. <a href=\"https:\/\/www.revista5w.com\/temas\/derechos-humanos\/las-sombras-ya-tienen-nombre-121223\" target=\"_blank\" rel=\"noreferrer noopener\">Read here the full report<\/a> published by <em>Revista 5W<\/em>, featuring photographs by Samuel Nacar and texts by journalist Agus Morales.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00abAgus (Morales) and I spent two months trying to publish this report globally, but no one wanted the story. Accepting rejection is fine, but when you receive such recognition, it fills you with pride,\u00bb<\/em> comments Samuel Nacar, referring to the World Press Photo award, in <a href=\"https:\/\/www.youtube.com\/watch?v=o1nApkXFYSA\" target=\"_blank\" rel=\"noreferrer noopener\">exclusive statements<\/a> to the <strong>Photographic Social Vision Foundation<\/strong>, of which Samuel has been a member since <a href=\"https:\/\/fundacionpsv.org\/samuel-nacar-gana-la-ii-beca-joana-biarnes\/\" target=\"_blank\" rel=\"noreferrer noopener\">winning the 2nd Edition of the Joana Biarn\u00e9s Grantt<\/a>, awarded by the same entity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To Samuel Nacar, this project <em>\u00abis the culmination of ten years of coverage on migratory routes, especially the Syrian exodus. Telling what the regime has done and why people were fleeing Syria is fundamental to understanding the migratory processes we have in Europe. And even more so now, when they no longer want to grant visas and claim that Syria is a safe place. Remembering that they have been through ten years of civil war and that there is still constant violence in the streets is essential to understand how we have treated people who were literally fleeing war, a dictator, prisons, torture, mass graves\u2026\u00bb<br><br>\u00abI don&#8217;t have a voice to say whether Syria&#8217;s future will go well or badly. But I can speak about how Europe treats migrant people. And I believe that this type of project helps to generate empathy so that we know where people are often fleeing from. We cannot defend the Europe of democracy, freedoms, and rights, and have brutal borders and people dying on our shores because we are incapable of creating a safe route where people can migrate.\u00bb<\/em><br><br><strong>Samuel Nacar will participate in the activities of the World Press Photo Barcelona exhibition<\/strong>, explaining more about his work and the situation in Syria. The <strong>Photographic Social Vision Foundation<\/strong> will organize this renowned exhibition in Barcelona for the twenty-first consecutive year, which can be visited from <strong>November 7 to December 14<\/strong> at the <strong>Centre de Cultura Contempor\u00e0nia de Barcelona<\/strong> (CCCB), co-producer of this event, which has the main collaboration of the <strong>Banco Sabadell Foundation<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"11816\" src=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/sLEgVlUR-1024x683.jpeg\" alt=\"\" class=\"wp-image-11816\" srcset=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/sLEgVlUR-980x653.jpeg 980w, https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/sLEgVlUR-480x320.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">Protesters chant slogans and push a makeshift barricade as they clash with Kenyan police officers during an anti-government demonstration. Nairobi, Kenya, 2 July 2024.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The <strong>World Press Photo of the Year 2025 winner, along with two runner-ups<\/strong> for the same award, <strong>will be announced on April 17, 2025.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The contest featured the participation of <strong>3,778 photographers<\/strong> from <strong>141 countries<\/strong> and <strong>59,320 photographs<\/strong>. The <strong>42 regional winners<\/strong>\u2014<strong>20 of whom are local<\/strong> to the region in which they developed their stories\u2014<strong>come from 30 countries<\/strong>: Germany, Bangladesh, Belarus, Brazil, Canada, Colombia, South Korea, El Salvador, Spain, United States, Philippines, France, Haiti, Indonesia, Iran, Italy, Mexico, Myanmar, Nigeria, Netherlands, Palestine, Peru, Portugal, United Kingdom, Democratic Republic of Congo, Russia, Sudan, Thailand, Turkey, and Venezuela.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"534\" height=\"800\" data-id=\"11814\" src=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/DjFE72IC.jpeg\" alt=\"\" class=\"wp-image-11814\" srcset=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/DjFE72IC.jpeg 534w, https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/DjFE72IC-480x719.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 534px, 100vw\" \/><figcaption class=\"wp-element-caption\"><em>Mahmoud Ajjour, Aged Nine<\/em>; Samar Abu Elouf<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"11818\" src=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/l1amTeEV-1024x1024.jpeg\" alt=\"\" class=\"wp-image-11818\" srcset=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/l1amTeEV-980x980.jpeg 980w, https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/l1amTeEV-480x480.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><figcaption class=\"wp-element-caption\"><em>No Woman\u2019s Land<\/em>; Kiana Hayeri<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lucy Conticello<\/strong>, Director of Photography at M, Le Monde&#8217;s weekend magazine, and <strong>this year&#8217;s global jury chair<\/strong>, stated: <em>\u00abWhile the World Press Photo is a significant recognition for photographers, who often work in challenging circumstances, it is also a summary of major global events, albeit an incomplete one. As a jury, we were looking for images around which people could engage in conversations\u00bb<\/em>.<em><br><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here is the complete list of the <strong>World Press Photo 2025 regional winners<\/strong>:<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" data-id=\"11819\" src=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/025_Asia-Pacific-and-Oceania_Singles_Jerome-Brouillet_Agence-France-Presse-1024x681.jpg\" alt=\"\" class=\"wp-image-11819\" srcset=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/025_Asia-Pacific-and-Oceania_Singles_Jerome-Brouillet_Agence-France-Presse-980x652.jpg 980w, https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/025_Asia-Pacific-and-Oceania_Singles_Jerome-Brouillet_Agence-France-Presse-480x319.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><figcaption class=\"wp-element-caption\"><em>Gabriel Medina During the Paris 2024 Olympic Games<\/em>; Jerome Brouillet<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"11820\" src=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/057_Europe_Stories_Mikhail-Tereshchenko_TASS-Agency-1024x683.jpg\" alt=\"\" class=\"wp-image-11820\" srcset=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/057_Europe_Stories_Mikhail-Tereshchenko_TASS-Agency-980x653.jpg 980w, https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/057_Europe_Stories_Mikhail-Tereshchenko_TASS-Agency-480x320.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><figcaption class=\"wp-element-caption\"><em>Protests in Georgia<\/em>; Mikhail Tereshchenko<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"11821\" src=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/020_Africa_Long-Term-Projects_Cinzia-Canneri_Association-Camille-Lepage-1024x683.jpg\" alt=\"\" class=\"wp-image-11821\" srcset=\"https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/020_Africa_Long-Term-Projects_Cinzia-Canneri_Association-Camille-Lepage-980x653.jpg 980w, https:\/\/www.fundacionpsv.org\/worldpressphotobarcelona\/wp-content\/uploads\/2025\/03\/020_Africa_Long-Term-Projects_Cinzia-Canneri_Association-Camille-Lepage-480x320.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><figcaption class=\"wp-element-caption\"><em>Women\u2019s Bodies as Battlefields<\/em>; Cinzia Canneri<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>AFRICA<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Singles<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTamale Safalu\u201d<br><strong>Marijn Fidder<\/strong>, Netherlands<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cLife Won\u2019t Stop\u201d<br><strong>Mosab Abushama<\/strong>, Sudan<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cMother Moves,&nbsp; House Approves\u201d<br><strong>Temiloluwa Johnson<\/strong>, Nigeria<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Stories<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe Lake Has Fallen Silent\u201d<br><strong>Aubin Mukoni<\/strong>, Democratic Republic of Congo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cKenya\u2019s Youth Uprising\u201d<br><strong>Luis Tato<\/strong>, Spain, Agence France-Presse<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe Elephant Whisperers of Livingstone\u201d<br><strong>Tommy Trenchard<\/strong>, United Kingdom, Panos Pictures for NPR<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Long-Term Projects<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWomen\u2019s Bodies as Battlefields\u201d<br><strong>Cinzia Canneri<\/strong>, Italy, Association Camille Lepage<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><br>ASIA-PACIFIC AND OCEANIA<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Singles<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cKorea Adoption Fraud\u201d<br><strong>Jae C. Hong<\/strong>, South Corea, Associated Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cGabriel Medina During the Paris 2024 Olympic Games\u201d<br><strong>Jerome Brouillet<\/strong>, France, Agence France-Presse<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe Impact of Nickel Mining on Halmehera Island\u201d<br><strong>Mas Agung Wilis Yudha Baskoro,<\/strong> Indonesia, for China Global South Project<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Stories<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cNo More Monkey Mania in Thai Town\u201d<br><strong>Chalinee Thirasupa<\/strong>, Thailand, Reuters<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cFour Storms, 12 Days\u201d<br><strong>Noel Celis<\/strong>, Philippines, Associated Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cA Nation In Conflict\u201d<br><strong>Ye Aung Thu<\/strong>, Myanmar<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Long-Term Projects<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTe Urewera &#8211; The Living Ancestor of T\u016bhoe People\u201d<br><strong>Tatsiana Chypsanava<\/strong>, Belarus, Pulitzer Center, New Zealand Geographic<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><br>EUROPE<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Singles<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cBeyond the Trenches\u201d<br><strong>Florian Bachmeier<\/strong>, Germany<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cUnderground Field Hospital\u201d<br><strong>Nanna Heitmann<\/strong>, Germany, Magnum Photos<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cMika\u201d<br><strong>Prins de Vos<\/strong>, Netherlands, Queer Gallery<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Stories<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cMARIA\u201d<br><strong>Maria Abranches<\/strong>, Portugal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cProtests in Georgia\u201d<br><strong>Mikhail Tereshchenko<\/strong>, Russia, TASS Agency<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cDemocracy Dies in Darkness\u201d<br><strong>Rafael Heygster<\/strong>, Germany, for <em>Der Spiegel<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Long-Term Projects<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cIt Smells of Smoke at Home\u201d<br><strong>Aliona Kardash<\/strong>, Russia\/Germany, DOCKS Collective, for <em>Stern Magazine<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><br><\/strong>NORTH AND CENTRAL AMERICA<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Singles<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cAttempted Assassination of Donald Trump\u201d<br><strong>Jabin Botsford<\/strong>, USA, for <em>The Washington Post<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cNight Crossing\u201d<br><strong>John Moore<\/strong>, USA, Getty Images<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cConstance Wynn II, Wikes-Barre, Pennsylvania, 2025\u201d<br><strong>Philip Montgomery,<\/strong> USA, for <em>The New York Times Magazine<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Stories<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cA Place to Die\u201d<br><strong>Oliver Farshi<\/strong>, United Kingdom<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cA Town Derailed\u201d<br><strong>Rebecca Kiger<\/strong>, USA, Center for ContemporaryDocumentation,<em>TIME<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cCrisis in Haiti\u201d<br><strong>Clarens Siffroy<\/strong>, Haiti, Agence France-Presse<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Long-Term Projects<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cLife and Death in a Country Without Constitutional Rights\u201d<br><strong>Carlos Barrera<\/strong>, El Salvador, El Faro, NPR<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><br><\/strong>SOUTH AMERICA<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Singles<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cBotafogo Fans: Pride and Glory\u201d<br><strong>Andr\u00e9 Coelho<\/strong>, Brasil, EFE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cAircraft on Flooded Tarmac\u201d<br><strong>Anselmo Cunha<\/strong>, Brasil, Agence France-Presse<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe Last Hope\u201d<br><strong>Gabriela Or\u00e1a<\/strong>, Venezuela, Reuters<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Stories<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cBrazil\u2019s Worst-Ever Floods\u201d<br><strong>Amanda M. Perobelli<\/strong>, Brasil, Reuters<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cDroughts in the Amazon\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Musuk Nolte<\/strong>, Peru\/Mexico, Panos Pictures, Bertha Foundation<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cJaid\u00eb\u201d<br><strong>Santiago Mesa<\/strong>, Colombia<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Long-Term Project<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cPaths of Desperate Hope\u201d<br><strong>Frederico R\u00edos<\/strong>, Colombia<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><br>WEST, CENTRAL, AND SOUTH ASIA<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Singles<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cDrone Attacks in Beirut\u201d<br><strong>Murat \u015eeng\u00fcl,<\/strong> T\u00fcrkiye, Anadolu Agency<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cMahmoud Ajjour, Aged Nine\u201d<br><strong>Samar Abu Elouf, <\/strong>Palestine, for <em>The New York Times<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe Canvas of Power\u201d<br><strong>Suvra Kanti Das,<\/strong> Bangladesh, for <em>The Daily Prothom Alo<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Stories<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cGaza Under Israeli Attack\u201d<br><strong>Ali Jadallah,<\/strong> Palestine, Anadolu Agency<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cNo Woman\u2019s Land\u201d<br><strong>Kiana Hayeri,<\/strong> Iran\/Canada, Fondation Carmignac<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe Shadows Already Have Names\u201d<br><strong>Samuel Nacar,<\/strong> Espa\u00f1a, for <em>Revista 5W<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Long-Term Project<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cBullets Have No Borders\u201d<br><strong>Ebrahim Alipoor<\/strong>, Iran<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The World Press Photo Foundation, celebrating its 70th anniversary, has announced the regional winners of the World Press Photo 2025, where two Spanish photographers are among the awarded.<\/p>\n","protected":false},"author":5,"featured_media":11822,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-11866","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Spanish Photographers Samuel Nacar and Luis Tato Awarded at the World Press Photo 2025<\/title>\n<meta name=\"description\" content=\"Spanish photographers stand among 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